Blackfish achieved what researchers have so far only speculated about when it comes to the potential of documentaries, sparking widespread activism and, ultimately, change.
LAURA THOMAS-WALTERS: After its premiere at the Sundance Film Festival in January 2013, the documentary Blackfish reached nearly 21 million viewers within its first month of airing on CNN. The film tells the bleak story of Tilikum, a performing orca at the US marine park SeaWorld.
After being taken from his mother in the wild at the age of two, Tilikum was held in a tank at SeaLand Canada with two larger females who routinely attacked him. Together the three SeaLand orcas killed a trainer, and Tilikum was transferred to SeaWorld in Orlando on the understanding that he should no longer perform. This advice was ignored, and Tilikum went on to kill two more people, including trainer Dawn Brancheau at SeaWorld in Orlando in 2010.
Blackfish presented Tilikum’s aggression as symptomatic of post-traumatic stress, induced by a life in captivity. This contradicted SeaWorld’s claims that orcas cooperated willingly during each show. The documentary sparked a public outcry against orca captivity.
The hashtag #EmptyTheTanks spread on Twitter and viewers pressured artists into cancelling their shows at SeaWorld and demanded corporate sponsors such as SouthWest Airlines to drop their partnerships with the company. There were also protests outside the park, and in cities worldwide.
In the year following Blackfish’s release, SeaWorld’s attendance dropped by one million visitors. In 2014, the company announced a 84% fall in income and saw its share price drop by 33%. Although SeaWorld attributed this to “the seasonal nature of the business”, the media largely blamed Blackfish. In September 2014, SeaWorld’s shareholders launched a lawsuit against the park, claiming it had misled investors about the effect the documentary would have on its business.
In February 2020 SeaWorld agreed to pay out $65m to settle lawsuit claims. In 2016, SeaWorld announced the immediate end of its orca breeding programme, and in the same year, California passed a ban on captive orca breeding. Five years on, we conducted a study to find out just how influential Blackfish was in bringing about that decision…
We interviewed 26 people with expertise in marine conservation, marine mammal training, zoo and aquarium collections, animal welfare and media communication. This included SeaWorld trainers, though SeaWorld’s leadership refused to take part. We asked them, based on their expert knowledge, whether they thought each of the 15 factors may have affected SeaWorld, and how. We then looked for corroborating evidence. After eliminating less plausible explanations, our analysis indicated that the negative publicity resulting from Blackfish changed how people viewed orca captivity…
Blackfish benefited from a perfect storm, building upon decades of animal welfare and animal rights activism against marine mammal captivity… Our study made clear that the timing of Blackfish’s release was vital. Various filmed and written works released prior to Blackfish, such as the 2009 documentary The Cove, had slowly influenced public attitudes towards marine mammal welfare and rights.
By exploiting that and creating an emotional bond with viewers through the plight of Tilikum, Blackfish achieved what researchers have so far only speculated about when it comes to the potential of documentaries – sparking widespread activism and, ultimately, change. SOURCE…
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